![]() ![]() In contrast, the low-density earth pigments used to prepare the original, smaller canvas are darker. Boucher prepared these additional strips of canvas with a lead white–based priming, which appears bright white on the radiograph because it is dense and more opaque. These new dimensions, outlined in solid line in the radiograph, enabled the artist to transform the painting from a bust-length portrait to a larger toilette scene. Some years later, Boucher enlarged the rectangular portrait by adding strips of canvas on all four sides. Seams indicating its first dimensions are also visible on the surface of the painting. The painting was initially a rectangular bust-length portrait-its original size is outlined in dotted line in the image. In its early decades, the work was reshaped multiple times, modifications that are recorded in the X-radiograph below. ![]() Numerous portraits of her were subsequently commissioned this oval painting is one of the most unusual. ![]() Jeanne-Antoinette Poisson, Marquise de Pompadour (1721–1764), became the official mistress of Louis XV in 1745. ![]()
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